A: Ouroboros, head to left, enclosing the composite figure of a scarab and a baboon. The scarab is represented vertically, with head towards the top, its upper and lower legs serving as the hairy paws of the baboon. The baboon is viewed from behind, squatting on its hindlegs and raising its arms in a greeting gesture.
B: Inscription in nine lines: επεκαλομ|εσεμεγαλοδ|οξεοουαματαε|θηκαιεσαρκοω|δλοκαιπυηεομ||εθπιτυχενοπυ|ονυοννθσισο|
ιμσαονομαστ|οεθουκεμ → ἐπικαλοῦμαί σε, μεγαλόδοξε, οὗ ὀνόματα ἔθηκα τῇ σορῷ... καὶ ποίει με ἐπιτυχεῖν ὁποίων ἂν οὖν θελήσω... μέγα ὄνομα... (Bonner). 'I conjure you, oh, Great of Fame, whose names I have placed on/in the tomb… and make that I be successful in everything I want… Great Name…'
The present interpretation is the reconstruction of C. Bonner. According to Bonner the engraving contains a meaningful text in a garbled form. The reading of the word ’soros’ is uncertain. If this is the right reading, the text refers to a well-known praxis connected with tombs, and the piece is thus an extreme example for an intelligent text becoming mangled by an illiterate engraver.
CBd-1008. The Campbell Bonner Magical Gems Database (2010-), developed at the Museum of Fine Arts, Budapest, editor-in-chief: Á. M. Nagy.
Retrieved from: cbd.mfab.hu/cbd/1008 on 04-12-2023.