A: Nude Aphrodite standing in three-quarter view in a naiskos. She is wringing out her hair and wearing an Isis-crown on her head. On the left a small winged figure (Eros) standing to right and holding a mirror towards the goddess. On the right a jar at the left foot of the goddess. Above: two winged, flying Erotes holding a wreath. Next to the columns vertical inscriptions. On the left from top to down, on the right from bottom to top: αρωριφ|ρασισ → variant of αρρωριφρασις.
B: In the middle of the pendant Harpocrates sitting in frontal view on a lotus flower in a papyrus boat; under the flower two pairs of horizontal stalks with lotus buds. The god’s left leg is bent in knee, his right hand raised to his mouth, his left holds a flail. A long side-lock of youth is falling to his neck, on the top of his head a crown. Around: four eight-pointed stars, under the boat three more eight-pointed stars. Around Harpocrates triads of animals: scarabs; crowned falcons; crocodiles; uraeus snakes; ibises and goats. In the free space inscription in two lines: ιαωα|βρασαξ → Ἰάω, Ἀβρασάξ.
A praxis known from a papyrus (PGM LXI 1-38) specifies that love charms had to be incised with the image of Horus on a lotus flower and the magical name Abraxas. The Aphrodite-scene on the obverse of the pendant supports this interpretation. A gemstone with the Horus-scheme that was presumably also a love charm: CBd-534.
Bibliography
Michel, BM on CBd-533
The British Museum Collection database on CBd-533